Yorgos Lanthimos Marathon

Schedule and film guide for a Yorgos Lanthimos film marathon — seven films across one weekend.

The Complete Lanthimos Experience

A chronological journey through Yorgos Lanthimos's filmography, watching his seven major films across one weekend.

Location: Adrien's studio (cozy quarters!)

Seating: Comfortable seating for about 7 people. After that, you'll need to bring a chair or get comfortable on the floor. Everything is close by in the studio (yes, even the bathroom...). There's a community building a few minutes' walk down the street if you need space.

Refreshments: TBD


Activity Start End Duration
🍿 Dogtooth 10:00 AM 11:40 AM 1h 37m
🍬 Break 11:40 AM 12:00 PM 20m
🍿 The Lobster 12:00 PM 2:00 PM 1h 58m
🍕 Lunch Break 2:00 PM 3:30 PM 1h 30m
🍿 The Killing of a Sacred Deer 3:30 PM 5:30 PM 2h 1m
🍬 Break 5:30 PM 6:00 PM 30m
🍿 The Favourite 6:00 PM 8:00 PM 2h 0m
Activity Start End Duration
🍿 Poor Things 11:00 AM 1:20 PM 2h 21m
🍕 Lunch Break 1:20 PM 3:00 PM 1h 40m
🍿 Kinds of Kindness 3:00 PM 5:45 PM 2h 44m
🍬 Break 5:45 PM 6:15 PM 30m
🍿 Bugonia 6:15 PM 8:15 PM 2h 0m

Film Year Cinematography Music Written By
Dogtooth 2009 Thimios Bakatakis — Lanthimos, Efthimis Filippou
The Lobster 2015 Thimios Bakatakis — Lanthimos, Efthimis Filippou
The Killing of a Sacred Deer 2017 Thimios Bakatakis — Lanthimos, Efthimis Filippou
The Favourite 2018 Robbie Ryan — Deborah Davis, Tony McNamara
Poor Things 2023 Robbie Ryan Jerskin Fendrix Tony McNamara (from Alasdair Gray novel)
Kinds of Kindness 2024 Robbie Ryan Jerskin Fendrix Lanthimos, Efthimis Filippou
Bugonia 2025 Robbie Ryan Jerskin Fendrix Will Tracy

Notes:

  • The Favourite and Poor Things mark Lanthimos's transition to period pieces with larger budgets
  • Poor Things adapted from Alasdair Gray's 1992 novel
  • Filippou co-wrote 4 of 7 films (absent from The Favourite, Poor Things, and Bugonia)
  • Bugonia is a remake of the 2003 South Korean film Save the Green Planet!

Cinematographers:

  • Thimios Bakatakis (3 films): Lanthimos's original Greek collaborator; clinical, static compositions with natural light; wide shots that create distance from characters
  • Robbie Ryan (4 films): Irish DP who brought more dynamic camerawork; fish-eye lenses in The Favourite, Technicolor-inspired palette in Poor Things, VistaVision format for Bugonia; Oscar-nominated for The Favourite and Poor Things

Composers:

  • Early films (Dogtooth, The Lobster, Killing of a Sacred Deer) use minimal original score; rely on silence, diegetic sound, and occasional classical music
  • The Favourite uses baroque period music (Handel, Purcell, Bach) with jarring contemporary interruptions
  • Jerskin Fendrix (3 films): British experimental musician; created scores for Poor Things, Kinds of Kindness, and Bugonia without seeing footage—only reading scripts; blends orchestral with electronic; won Oscar for Poor Things

Film Technical & Craft Acting
Dogtooth Foreign Language Film (nom) —
The Lobster Original Screenplay (nom) —
The Killing of a Sacred Deer — —
The Favourite Picture (nom), Director (nom), Original Screenplay (nom), Cinematography (nom), Editing (nom), Production Design (nom), Costume Design ✅ Actress (Colman) ✅, Supporting Actress (Weisz) (nom), Supporting Actress (Stone) (nom)
Poor Things Picture (nom), Director (nom), Adapted Screenplay (nom), Cinematography (nom), Editing (nom), Production Design ✅, Costume Design ✅, Original Score ✅, Makeup & Hairstyling (nom) Actress (Stone) ✅, Supporting Actor (Ruffalo) (nom)
Kinds of Kindness — Supporting Actress (Qualley) (nom)
Bugonia TBD (2025 release) TBD

Notes: Lanthimos has been nominated for Best Director 2 times (The Favourite, Poor Things) but never won. Emma Stone won Best Actress for Poor Things (2024). Olivia Colman won Best Actress for The Favourite (2019). Wins marked with ✅.


Film Budget Worldwide Box Office Profit/Loss Reception
Dogtooth €250K $1.4M +$1M Arthouse sensation, launched Greek Weird Wave
The Lobster $4M $18M +$14M Crossover hit, festival darling
The Killing of a Sacred Deer $3.5M $7.3M +$4M Polarizing; horror-adjacent unsettled audiences
The Favourite $15M $95M +$80M Awards juggernaut, mainstream breakthrough
Poor Things $35M $118M +$83M Career peak; Oscar sweep
Kinds of Kindness $15M $22M +$7M Return to divisive form; dedicated fans loved it
Bugonia $55M $32M+ (in theaters) TBD Mixed reviews; finding audience on streaming

Reception Patterns:

  • Early Greek films (Dogtooth, Alps) built cult following through festival circuit
  • English-language debut (The Lobster) brought wider audience while maintaining edge
  • Period pieces (The Favourite, Poor Things) achieved rare combo of arthouse credibility + commercial success
  • Returns to darker material (Kinds of Kindness, Bugonia) divide audiences more sharply

Style & Themes:

  • Lanthimos's international breakthrough (third feature overall)
  • Parents keep adult children isolated, ignorant of the outside world
  • Language is corrupted — children are taught wrong definitions for words
  • Won Un Certain Regard at Cannes; Oscar-nominated for Foreign Language Film

Watch for: The deadpan violence; invented vocabulary ("a zombie is a small yellow flower"); the Rocky and Jaws VHS tapes; the dance sequence


Style & Themes:

  • Lanthimos's English-language debut
  • Dystopian premise: single people must find partners in 45 days or become animals
  • Satirizes both coupling culture and militant individualism
  • Colin Farrell gained 40 pounds for the role

Watch for: The hotel's absurd rules; Rachel Weisz's deadpan narration; John C. Reilly's lisping man; the "defining characteristic" obsession


Style & Themes:

  • Modern Greek tragedy (explicitly references Iphigenia myth)
  • A surgeon must make an impossible sacrifice
  • Symmetrical compositions; characters speak in monotone
  • Barry Keoghan's breakout role as the disturbing Martin

Watch for: The hospital's sterile corridors; the family's paralysis (literal and metaphorical); the dinner table confrontations


Style & Themes:

  • Period piece set in early 18th century England (Queen Anne's court)
  • Three women compete for power and affection
  • Fish-eye lenses create claustrophobic, distorted interiors
  • Dance sequence to Elton John's "Skyline Pigeon"

Watch for: Olivia Colman's Oscar-winning performance; the rabbit motif; duck racing; Emma Stone's physical comedy; Rachel Weisz's scheming


Style & Themes:

  • Victorian-era Frankenstein riff — a woman reanimated with infant's brain
  • Bella Baxter's journey of discovery and liberation
  • Wildly colorful production design; shifts between B&W and color
  • Emma Stone's second Oscar win

Watch for: Willem Dafoe's prosthetics; the surreal cityscapes; Bella's evolving vocabulary; Mark Ruffalo's comedic desperation


Style & Themes:

  • Return to Lanthimos's Greek Weird Wave roots
  • Anthology of three stories with same cast playing different characters
  • Explores dominance, submission, and the need to be controlled
  • Darkest and most challenging since early work

Watch for: Emma Stone in three distinct roles; the tonal shifts between segments; Jesse Plemons' transformations; the open endings


Style & Themes:

  • Satirical sci-fi thriller; Lanthimos's most expensive film ($55M budget)
  • Remake of 2003 South Korean cult film Save the Green Planet!
  • Two conspiracy theorists kidnap a CEO they believe is an alien
  • Shot in VistaVision format (same lenses PTA used on his latest)

Watch for: Emma Stone's shaved head and alien interrogation scenes; Jesse Plemons as a sweaty beekeeper; the shifting power dynamics between captor and captive; Aidan Delbis's breakout performance


Efthimis Filippou (Writer): Co-wrote 4 films with Lanthimos (Dogtooth, Alps, The Lobster, Killing of a Sacred Deer, Kinds of Kindness)

Thimios Bakatakis (Cinematographer): Shot early Greek films through The Killing of a Sacred Deer

Robbie Ryan (Cinematographer): Shot The Favourite through Bugonia (2025)

Yorgos Mavropsaridis (Editor): Edited all Lanthimos films

Recurring Actors: Emma Stone (4 films), Jesse Plemons (3 films), Olivia Colman (3 films), Colin Farrell (3 films), Willem Dafoe (2 films), Rachel Weisz (2 films), Angeliki Papoulia (3 films)


Films per day: 4 on Saturday, 3 on Sunday Total runtime: ~14h 41m (excluding breaks) Breaks: Strategic breaks between films, extended lunch breaks

Viewing Order: Chronological by release date to track Lanthimos's evolution from Greek Weird Wave provocateur to Oscar-winning prestige filmmaker.

Themes to track:

  • Power dynamics and control
  • Absurdist deadpan dialogue delivery
  • Physical transformation and bodily horror
  • Institutional settings (hotels, hospitals, palaces)
  • The violence lurking beneath civilized surfaces
  • Characters choosing self-destruction over loss of autonomy